What, why, who?
Now, even though I do have my favorites in rock, jazz and classical music,
my daily musical ration comes from the realm of progressive rock. Prog
rock
essentially pushes the boundaries of classic rock, usually by
incorporating classical music, jazz or folk elements into the standard
paradigm of classic rock. Musicianship is often pushed to the
limit - and, indeed, many of the top figures in prog rock have had
classical training. This music is tight, challenging, inspiring, and
it rocks! Next, let's look at some representatives.
Styles and Bands
There are a few styles floating around. I won't mention a couple
of the boring ones so let's get busy with the good stuff.
Symphonic prog draws from classical music, with lush soundscapes
provided, at their best, by mellotrons or Hammond organs. There are a few
killer 70's classics, such as Yes, Genesis, King Crimson, Gentle Giant
and Van der Graaf Generator from UK and Banco and PFM from Italy.
Recently
several fabulous bands have emerged, such as After Crying from
Hungary, DFA from Italy and Anglagard from Sweden.
The Neoprogressive style is sometimes viewed as an
extension of the classic Genesis sound, often less intricate and sharp.
I will only mention here one band, (the old) Marillion - but what a band!
Fusion is a more explorative (and rockier!) type of
jazz-rock. Some giants: National Health, Hatfield and the North (sometimes
classified as Canterbury style bands) and
Mahavishnu Orchestra from UK, Area and Deus Ex Machina from Italy. These
two italian bands, coincidentally, feature maybe the best vocalists in
prog rock (Area's Demetrios Stratos is absolute top, in my opinion).
Zeuhl. Imagine a dark rock version of Orff's Carmina
Burana (I think I'm citing this from somewhere...). The stupendous Magma
from France single-handedly started off this
genre. A very talented new zeuhl band from Japan is the high-energy
Koenjihyakkei. Those guys kill.
RIO (Rock In Opposition) - one of my favourite styles
lately. Very disonant chamber-type style of rock, admittedly hard to get
into. Again, some giants: Univers Zero and Present (Belgium), Moving
Gelatine Plates (France), Picchio dal Pozzo (Italy), Samla Mammas Manna
(Sweden), and, more recently, Thinking Plague (US) and Miriodor (Canada).
I've had the luck and the priviledge to see about half of the above bands
in concert
(the other half are unfortunately defunct now) at Nearfest - arguably the best progressive
rock
festival in the world. These bands are all ultimate music machines - with
both brains and soul. If you are new to prog but willing to try, my
recommendation is to
start with the styles in the order I listed them.
More info on progressive rock, filling in the many details I left out can
be obtained online from the
Gibraltar Encyclopedia of Progressive Rock or from Gnosis 2000 and the links therein. An
essential book on progressive rock is Edward Macan's "Rocking the
Classics".